Logic pro x ipad pro11/7/2023 Any track can send variably to any number of busses. It instantly and reliably connected to my Behringer XR18 mixer, something Cubasis often refuses to do until the iPad is rebooted. We should really step up development.Ī quick check of Logic Pro in my iPad revealed the following: But I for one will not confirm my subscription in 30 days time when the free trial period expires.Ī few good things should be learned by our Steinberg team. Logic for iPad is a masterwork though and is also so beautiful to look at. Then I came back to Cubasis, made a quick project and fell in love once again with that super friendly interface and immediate access to all key parameters. Having an incredibly sophisticated program like Logic goes beyond what is needed by users. I think that a tablet DAW is meant for quick jobs on the field or when your PC is not at hand. What is the purpose of having such a power engine on an iPad? No matter how clever you are to design the interface, practical use will always be crippled by the limited real estate of an iPad. The interface is very very smart but takes some time to get used to. It’s absolutely stunning especially because of the quality and quantity of samples and instruments. I downloaded Logic Pro for iPad and played with it a couple of hours. Otherwise, pay for subscriptions in your own self-interest! If you are prepared to buy version X of a product for your generation Y iPad and never update it beyond IOS version Z, insist on an outright purchase. Perhaps, if Steinberg had charged us a subscription fee for Cubasis, they could have maintained and enhanced it much more rapidly. This is in contrast to the “lumpy” revenue that outright purchase generates. Companies that rely on subscription fees have a more predictable annual revenue for a product, and therefore a greater incentive and budget to maintain and enhance that product. Subscription fees tend to be lower than the cost of an outright purchase (compare the $199 cost of Logic Pro for Mac vs the $4.99 per month subscription for Logic Pro iPad). If you expect a software publisher to maintain a product and to continually enhance it, you must respect that publisher’s need for a revenue stream to fund this massive effort. Many have commented in forums of all kinds about how terrible subscription models are.Īs an executive at a software company, and the former CEO of my own software startup, I have a different perspective. If so, Steinberg has a “Sword of Damocles” poised over the future of Cubasis, unless they have a dramatic and impressive roadmap to trot out very soon. Does Logic Pro perform reasonably reliably, even without some of the cool new creative capabilities, on less than royally provisioned iPads? In my opinion, the question for Steinberg right now is. ![]() Still, I wager that many Cubasis loyalists offered a Logic Pro with bus capability and a better way of accessing plug-in controls from the mixer would be hard pressed to not be interested. Reality is, we have not touched this app, and so we have to reserve judgement on the whole thing until we can try it. Let’s reserve judgement on how well capabilities like the sound browser work on the disk-limited iPad. Yes, Apple is talking about radically new and different tools that have no analog in our current toolset. Does the UI substantially improve our workflow?.Are there features we wish Cubasis had (like true bus or takes functionality)?.Can we do the same things we do on Cubasis?.We want to know about Logic Pro for iPad: It would be great if a roadmap of the forthcoming Cubasis features could be that’s an interesting and valuable perspective.Īs active Cubasis users, living within the capabilities of our current product, we’re looking at a new option. Now there’s an opportunity to fix this by revamping how the automation editing works to be on par with how Logic Pro presumably will do it. The issue here is that the automation editing in the current Cubasis version still needs lots of attention it’s cumbersome and, most of the time, frustrating to deal with the line handles (no curves feature), even with an Apple Pencil. This is so limited that makes me unable to create proper electronic music tracks until the final stages this is why I only use GarageBand sometimes as a sketch tool for composing the first ideas and then export the tracks, loops, and MIDI files to Cubasis for further editing.īut the forthcoming Logic Pro for iPad changes that and will offer full creative possibilities at the same level as Cubasis. To me, the main difference between GarageBand and Logic Pro for iPad, among many others, will be the chance to automate and edit every parameter.Ĭurrently, the only parameters GarageBand iOS allows for automation editing are the track volume and pan.
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